Short Films Archives - LB Love Cinematography
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Category: Short Films

Not Enough Pictures.

This is what it looks like when I’m too busy to take decent pictures on set.  Pathetic. The Sony F65 was fantastic this weekend.  We are transcoding now,  and I look forward to editing and color correction in a few weeks (after I wrap my next shoot).  I’ll be sharing my thoughts after I’ve taken
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New – Updated Cinematography Reel 2014!

Stills from Return of Pink 5

Take a glimpse behind the scenes of “Return of Pink 5” …     As a continuation of the award winning “Pink 5” Star Wars fan film series, we were charged with recreating the most iconic moments from “Return of the Jedi”.   The solution was a mix of practical sets, props, and characters with visual
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Shooting “The Audition”

This past week I teamed up with Director Ambika Leigh to shoot “The Audition”, starring Leilani Wyatt and Brian Gaskill. The film is a sort of intimate, winding, poem and thus the camera is constantly moving under the careful composition of steadicam operator Ari Robbins.  We shot with the Red Scarlet and Zeiss T1.3 Superspeed
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Lighting Challenges on “Mother’s Cure”

For the apocalyptic drama, “Mother’s Cure”, we had a small package that would have been perfect… and then things changed 🙂 But we still made it work!

Mother’s Cure

“Mother’s Cure” is an intense “family” drama set in an apocalyptic future, shot on the Black Magic Cinema Camera with Zeiss Compact Primes. For us, apocalyptic times meant mixed color temperatures, overcast day with a golden, low hanging sun peeking out, flares, low contrast (achieved through fog and veiling glare) for the day, and a harsh
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Masquer

Masquer was an experimental “fashion film” shot with Director Daniel Solomon.

Count the Rice (and Sleep on Ice)

“Rice Counter, Ice Sleeper” was a 35mm short project that I shot with Producer/Director J. Wesley Bassard, in 2004.  It was a small, independent project, but we managed to do quite a lot. Part of our visual concept was for it to “feel dark” but still be able to see everything.  It was stylized more
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“Waiting” with the Arri Alexa

The Arri Alexa is hands down my first choice camera at this point.  Sure, the RED is nothing to shrug off, but if I have my choice, it’s Alexa.  All the way.  For me, it’s the mid tones.  The color information and noise (or lack thereof) is so vastly improved compared to it’s competition, that
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Fweinds.com

Fweinds.com is another 35mm anamorphic short, directed by Keven Undergaro and starring Maria Menounos, Keven Undergaro and Lara Flynn Boyle. In this short, we again had two separate worlds to create, the “hip and popular” woman’s apartment and the “nerdy, friend-less” woman’s apartment. The “nerd”apartment is contrasty, dark, and lonely.  Stark pools of light from sparse
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